A Very Strong Woman

Girl power meets burnout in a fever dream of classical music, techno, and performance art. 

Maya Felixbrot 

   duration: 40 min

info

An intimate performance woven from live music, text, memories, voices, and bodily fragments: food, hair, weight, childhood, and the unstable passage between girl and woman. With two violas, harpsichord, electronics and movement, we explore what remains when idealsof strength, femininity, family, and control begin to fracture. 
 
On stage, one body splits in two: one shaped by hierarchy and composure, the other feral, vulnerable, resisting containment. Images and roles collapse in real time, revealing something raw and deeply human. 
 
You’re invited into a fragile inner world where performer and audience confront vulnerability togetherawkward, painful, strangely freeing. 
 
Come into my dream. I have to show you how I was fed. We will listen to the horrible noise in the playground. You can sing with me. We will all sing. Words of comfort exist. The big sound of violins on my shoulders, my hair.” 

Biography

Maya Felixbrot is a musician and movement artist working at the intersection of sound, movement, and experimental performance. Her practice centers the body as a site of knowledge, combining embodied research with interdisciplinary composition. She co-founded Moving Strings, Play As We Are, Zvov, and Screen Dive. She performs and teaches internationally in music theatre and experimental contexts. Her album Traveling Viola was released on Xilent Records. 

Maria Mavridou is a dancer, performer, and teacher. Trained at SNDO, New York, and Athens, her work is rooted in Body Weather and real-time composition. She performs internationally in solo and collaborative cross-disciplinary contexts and teaches at SNDO, KNUA Seoul, and ArtEZ. 

Katerina Orfanoudaki is a harpsichordist and performer working between early music and experimental performance. Educated in Corfu, Amsterdam, and Music Cognition at the University of Amsterdam, she develops transdisciplinary projects expanding the harpsichord through improvisation, new music, and collaboration. 

Ari Teperberg is a performer and director working across opera, theatre, and performance. His practice explores perception, voice, and communication through sound, movement, and objects. He is an MFA graduate of Sandberg Instituut and an alum of the School of Visual Theatre Jerusalem. His work tours internationally in theatre, opera, and installation contexts.